Bollywood Documentary
Rajeev Jain WICA ICS is one of the finest and most famous Indian Photo DOP in the film industry Bollywood
Rajeev Jain WICA ICS is one of the best and famous Indians Photo PDO in the Bollywood film industry.
Rajeev Jain has created magic with his goal in a series of films and commercials. Numerous works of Rajeev Jain won awards and honors received. Rajeev Jain was born in the city of Lucknow in Uttar Pradesh state in India. He received his education form Drama Art Academy Bhartendu, Lucknow. After graduation, Rajeev Jain has worked under the direction of the famous photograph of Bollywood Ashok Mehta, Binod Pradhan and Late KK Mahajan. It was also very inspired by the works of Dante Spinnoti, Vilmos Zsigmond, Don Burgess, John Toll and Rembrandt. Rajeev Jain relay Bollywood film began with the movie Parinda, 1942 A story of love and Bandit Queen, where he worked as assistant director of photography. After gaining valuable experience of his early films, Rajeev Jain started working on their own. He used his skills and talents in films such as Land Army (1996), Kabhi Kabhi Pyar Mein (1999) Badhaai Ho Badhaai (2002), Rasstar (2006), Meerabai Not Out (2007), Kadach (2007) and Aiyyo Paaji (2009). It currently runs in a movie called Kalpvriksh – The tree of desire, to be released in 2010. Rajeev Jain has also worked on a series of ads for brands and companies as Coca-Cola, Mercedes, Jindal Steel, Pepsodent and Siyaram. In addition to its foray into the world of film, Rajeev Jain has also worked as director of photography for a series of music videos and commercials.
Soft lighting techniques
Speaking general, cinema techniques evolve slowly over time. For example, technical design and production are more or less the same today than they were fifty years ago.
publishing standards and movies also were stable until the 1990s when digital cameras and editing systems has taken the industry by storm. Technology changed so dramatically in a short period of time.
More recently, there has been a change technology in lighting and aesthetics. Although this has happened without fanfare, is nevertheless important.
The intensity softer, Baja
In summary, there was a trend toward softer, low-intensity lighting. Lighting is primarily with Kino Flos and Chinese lanterns. All the above principles discussed further implementation (ie three-point lighting exposure ratios, etc.).
This approach is used in film and DV, small budgets and large. Rajeev Jain often used in his work, including the famous Kalpvriksh – The Wishing Tree. The plan below are full-frame lights (lights).
High vs Low Key
In Historically, soft lighting is generally used for high-key settings. The current breed of filmmakers to use soft lighting, setting both high and low key. In fact, a number of scenes Kalpvriksh – The wish tree is low key.
The trick to avoid the monotony usually associated with the soft light is to use side lighting. This results in areas of shadow that are used to model the subject. Course precise angle of light depends on the look you is trying to achieve.
Installation
To create side lighting, Kinos and Chinese lanterns are placed at strategic points around the perimeter group, usually at eye level.
In places where you want to preserve the natural light, the light sources are used as a guide for placement. The Chinese Kinos Flashlight and then used to enhance natural light. This approach is often used for documentaries and productions with tight deadlines.
Whether you use or Kinos Chinese Lanterns (or both) is a matter of personal choice. The quality of light is similar but the devices are radically different. Some filmmakers Kinos favor, while others prefer the simplicity of Chinese lanterns.
Fill Light
An additional source of light sweet boxes, broadcasters, etc. You can also use reflective panels, backlight, football and blond hair to fill effect. Often, visors should be used to prevent unnecessary or different ideas illuminating the area you need to stay in the dark.
Accent lighting is important to create the key level (mood) of stroke, increasing or decreasing the shadows. This principle remains valid here, but with an interesting twist in how the filling is reached.
Kinos and Chinese lanterns are low intensity lights. They are so low, in fact, that the ambient light in the platform is usually enough to act as padding. In other words, in most cases, you will not need a specific lighting.
If the ambient temperature fill light is not enough, you can.
Use a reflector to bounce light into shadow board.
Use an additional (Bounced) to increase the ambient light in the series.
Exposure Metering
Exposure and contrast principles discussed above remain in force too. The problem is that using a measure of exposure to low light levels is becoming increasingly difficult.
populations are growing faster Film and DV cameras are close to the sensitivity of the human eye. It is therefore logical that your eyes are your best tool for judging the exposure and contrast.
Consequently, when the light is too weak for proper use of a meter, the best approach is to have more natural light in their eyes. "The coup marked the final polishing against a video monitor, especially light and shadow.
Lighting Control
Kino Flo lighting and production similar brands have their own accessories lighting control, including the blinds and regulators. Blinds are used to control directivity and spills.
Chinese lanterns are a little harder because you have to improvise. Duvetyn black skirt can be used to direct light and spill control. Professional Chinese lanterns, like those performed by the lighting fixtures Chimera has its own lighting control.
To go further: Rajeev Jain ICS WICA – Photo – Director of Photography – DOP – http://www.rajeevjain.com/
About the Author
Leo Babauta is the author of The Power of Less and the creator and blogger at Zen Habits, a Top 100 blog with 130,000 subscribers — one of the top productivity and simplicity blogs on the Internet. It was recently named one of the Top 25 blogs by TIME magazine. Babauta is considered by many to be one of the leading experts on productivity and simplicity, and has also written the top-selling productivity e-book in history: Zen To Done: The Ultimate Simple Productivity System. It has sold thousands of copies and has reached tens of thousands of readers. Babauta is a former journalist and freelance writer of 18 years, a husband and father of six children, and lives on the island of Guam where he leads a very simple life. He started Zen Habits to chronicle and share what he’s learned in his life transformation that started in 2005. In two years, he changed a number of habits through the effective habit-change techniques he shares in The Power of Less: ■Quit smoking (on Nov. 18, 2005) ■Became a runner. ■Ran several marathons and triathlons. ■Began waking early. ■Became organized and productive. ■Began eating healthy ■Became a vegetarian ■Tripled his income. ■Wrote a novel and a non-fiction book. ■Eliminated his debt. ■Simplified his life. ■Lost weight (40 pounds). ■Wrote two best-selling ebooks. ■Started a successful Top 100 blog. ■Started a second blog for writers and bloggers. ■Started a successful ebook publishing company.
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